Crucial Element

Sounds pretty important, right? Turns out the Crucial Element isn't as crucial to the formation of a story as you would think. It simply marks the element that exists at the intersection of the Objective Story Throughline and Main Character Throughline.

04-24-2007

The Keys to the Crucial Element of Screenwriting

A way to see character arc without the perspective of time.

The ultimate most important element of any story. This one part of your story is so important that it was sanctified with the word crucial. Without it your hollow storytelling would crumble like dried leaves…or would it?

05-22-2007

Steadfast Characters and the Crucial Element

Exploring character arc in characters that don't "change."

When it comes to the Crucial Element, Change Main Characters have it easy. They restore balance to the story by either giving away or receiving an element. Makes sense to most authors. But Steadfast Main Characters are a different story entirely. In these kinds of stories, what element is moved? And if the story is about a hole to be filled, which element do we write about?

04-28-2010

You Don't Know Jack

Effective story structure supports the Author's message.

The purpose of story structure is to provide an audience with meaning. When done right, as it is with this film, the story engine leaves a lasting impression of the message the Authors hoped to convey.

06-12-2014

The Crucial Element of Screenwriting in Action

The connection point between subjective & objective throughlines highlights a key narrative element.

When does story theory overcomplicate the writing process? The drive to understand all that is Dramatica sometimes works against Authors. In a case where too much knowledge can be a bad thing, suppressing the urge to overthink may prove beneficial.

09-08-2016

The Refusal of the Call: The Resistance or Flow Through a Narrative

The Main Character's personal problems define the flow of energy through a story.

When faced with the unknown, many Main Characters of a narrative balk and recede back into the comfort of their present surroundings. Seen by many as an indication of "refusing the call to adventure", this unwillingness on the part of the central character to participate seemingly correlates with a key story point in Dramatica. Unfortunately, this similarity exists only in semantics and if left unexplained could lead to confusion and a misappropriation of narrative focus.