It’s one thing to play God when writing a story, but wouldn’t it be great if you could see what the major plot points in your story look like from the point-of-view of your characters? Well, now you can.
In this episode, not only do we present our greatest impression yet, but we also manage to cover the Four Throughlines of Manchester by the Sea, speak about the objective and subjective nature of story paradigms, and lay down a detailed approach for connecting story structure to your characters.
The Dramatica Mentorship Program - our premiere service designed to give you the tools and techniques for applying Dramatica’s powerful concepts to your stories.
Show Notes & Links
Narrative First theme by Alex Hull. Hear more on his Soundcloud, Operation Solace