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              Lady Bird

              A subtle blend of objective & subjective concerns lights this film’s moving narrative.

              Complete Story

              The key to the critical success of Greta Gerwig’s Lady Bird lies in its solid and competent narrative structure. While somewhat familiar in its exploration of a coming-of-age narrative, the holistic nature of its central character sets the film apart from others in its class (Main Character Problem-Solving Style of Holistic).

              Lady Bird tells the story of a young girl who learns to accept the hometown she grew up in, and by extension—her mother (Main Character Resolve of Changed, Main Character Solution of Acceptance, and Story Goal of Learning). Isolated and drawn to a world of culture that exists on the far side of the continent, Lady Bird rejects everything from affordable education to even her own name (Main Character Issue of Attraction and Main Character Problem of Non-acceptance). Eager for favorable reactions from her peers and worried of those from her mother, Bird seeks out a sense of belonging while secretly applying to far-off institutions (Main Character Focus of Reaction and Main Character Direction of Proaction).

              Lady Bird’s mother, Marion, spends most of the time pointing out how much everything costs (Influence Character Problem of Production). Locked in a mindset of scarcity, she wastes little time divulging her opinion of everyone and everything around her (Influence Character Throughline of Mind and Influence Character Issue of Appraisal). Still, the level of attention Marion pays to Lady Bird clues us in on why she acts this way and centers her greatest impact (Influence Character Concern of Conscious). The nun’s revelation of Bird’s fondness for Sacramento really speaks of a nagging mother’s love for her daughter.

              The opening scene—of mother and daughter checking out potential colleges while driving—encapsulates the entirety of their dysfunctional relationship (Relationship Story Throughline of Psychology). With each trying to get the other to conceive of a different way of seeing things, mother and daughter come into conflict over an issue of incompatible wants (Relationship Story Concern of Conceiving and Relationship Story Issue of Deficiency). A mother’s hold over what her daughter can and can’t do ignites the conflict between them—Marion wants Bird to stay close and safe and that’s final (Relationship Story Catalyst of Permission). With a mother driven to fear even the remote possibility of her daughter being exposed to violence, Bird finds no other alternative than to leap out of the moving car (Relationship Story Problem of Possibility and Main Character Approach of Do-er).

              Bird isn’t the only one learning to define herself. Both temporary boyfriend Danny O’Neil (Lucas Hedges) and father Larry (Tracy Letts) struggle to reconcile themselves against a society that, for the most part, wants nothing of them (Overall Story Concern of Learning and Overall Story Problem of Non-acceptance). As part of the Overall Story Throughline perspective, Danny and Larry provide an objective account of playing by somebody else’s rules (Overall Story Issue of Preconditions). When played in concert alongside Bird’s personal experience with imposed restrictions, the narrative elevates itself towards a level of grander importance.

              Lady Bird is no accident. Through a careful application of subjective and objective conflicts carrying elements that resonate across both, the script grants a greater meaning—a reason for telling the story. Stop rejecting everything around you, and you can learn to accept where you come from—and the love you were given.

              A beautiful and effective argument—and one not to be missed.

              Never Trust a Hero

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