A Female Mental Sex Understanding of Premise

Free your Storymind

One of the standout features of Subtxt is the Premise. Based on a previous article entitled How to Build a Narrative Argument, the breakdown of a premise allows an Author to determine the critical structural Storybeats of their narrative. Reducing the complexity of a Dramatica storyform down to a single sentence opens up greater understanding and draws the writer closer to their intuition.

If, in fact, that intuition is appropriately honored.

Unfortunately, early versions of Subtxt skewed the Premise towards a specific segment of the population, i.e., the Male Mental Sexed thinker. Enraptured in goals and problem-solving, these cause-and-effect thinkers speak of Premise in a way that is simple to understand—and even easier to code.

Do this, and you get that. You might fail if you let go of this, but you’ll feel better for it.

Clear-cut and concise.

Not all-encompassing.

A Premise for All

The latest version of Premise within Subtxt addresses a somewhat under-served portion of the world, the kind who prefers balancing issues, rather than solving goals. While much of the conflict we experience can be zeroed out by the Male Mental Sex thinker, there is another that recognizes an inequity is never indeed solved: the Female Mental Sex thinker.

The Female Mental Sexed mind operates from a position of receptiveness—understanding that while we may know the answer, an even better one may show itself if we are willing to receive it.

Sometimes to resolve inequities, we need to align ourselves first before the solution presents itself. We literally can’t see the answer because we’re too unbalanced and confused in our own minds. And even when we achieve that balance, the inequity is never entirely eliminated—the leveraging between various inequities continues from now until the end of days. The Female Mental Sexed aligns the self to hear with better eyes.

Male problem-solvers deal with on or off, Problem and Solution. Solve the problem and conflict disappears—like turning off a light switch.

Female problem-solvers—if there were such a thing—deal in waves of tendency and the balance of concerns holistically. Balance the inequity and the potential for conflict wanes—like singing a nostalgic and patriotic song to brighten a room full of national adversaries.

The Female Mental Sexed mind solves problems by justifying--by balancing self with the environment with the justification that emphasis over here will somehow help address conflict over there.

Changed Resolve Story

A Changed Resolve narrative deals with a Dilemma—with the imbalance between Problem and Solution. Male Mental Sexed minds attack these kinds of stories by problem-solving. They find the Element creating conflict, label it a Problem, and then fix it with a Solution.

Female Mental Sexed minds resolve inequity by justifying—by coming into alignment with themselves and balancing the relationship between self and environment. They recognize the inequity for what it is and seek equity elsewhere.

They recognize the inequity for what it is, and seek equity by balancing out the source of inequity (the Condition) with its other half (the Balance).

One problem-solves, the other justifies.

Problem-solving is easy. It’s even easier to program as most of coding is a linear approach to solving a problem (if x = 5 then goto 20).

Justifying requires a different skill set of mental gymnastics. Applying that to a premise requires capturing the essence of the self being in alignment, or balance, with forces external. Finding the right balance of narrative concerns then leads one to seek leverage points that open the path to the desired outcome.

See—even explaining it involves a more sophisticated appreciation than only if this, then that.

Success/Good — Composure

To a Male Mental Sex mind, a Successful Outcome and a Good Judgment is a Triumph. To the Female Mental Sex mind, the same set of narrative dynamics feels less like achieving a Goal and more like bringing oneself into a sense of Composure.

The Matrix is structured with this sense of Composure--and that’s why it feels so much different than Star Wars or Star Trek. As Main Character, Neo (Mr. Anderson) seeks balance in all things, trying to find the balance between his self-doubts and what everyone else thinks he can do.

If he were Male Mental Sexed, and the film structured appropriately, the Premise would be:

::premise Abandon your being aware of everyone around you and you can reveal what has happened to everyone. ::

To a Male Mental Sexed mind, that statement reads true. And for the first year and a half of Subtxt, that’s how the Premise read.

But it isn’t The Matrix.

To a Female Mental Sexed mind that inequity of being aware of everyone around you never goes away completely—it’s always there, needing to be addressed and dealt with day after day.

A Female Mental Sexed version of the same Premise, and one that captures the essence and feel of the message of The Matrix, would be:

::premise Address resistance towards being predestined to be someone by balancing your overwhelming awareness of everyone else with your seeing the world from one's own perspective. ::

To the Female Mental Sex mind, that statement makes far more "sense" than the previous one. To the Male Mental Sexed, it might appear as if one is not facing their problems or making excuses for not merely doing what needs to be done, but the Female Mental Sexed knows otherwise.

Sometimes, what needs to be done is to compose oneself through a gentle balance—and then the solution, or outcome, presents itself naturally.

This is why a Female Mental Sexed mind might sometimes refer to the “universe” as providing them answers. Explaining this behavior to Male-minded folk requires using a primarily linear language to justify a process that sits outside of linearity. The only way to kind-of-sort-of discuss the kind of knowledge that doesn’t emanate from consciousness is to equate it with the universe working in tandem with the self.

To the Male Mental Sexed, this line of thinking sounds like kooky-nonsense, to the Female Mental Sexed it perfectly describes how answers come to them.

The Elements of a Female Mental Sex Premise

Breaking down the Male Premise into its principal components reveals two key Elements:

::premise Abandon AWARE and you can PAST. ::

Aware is the tie to the subjective point-of-view from within and defines the Character aspect of the Premise for The Matrix.

Past defines the Story Goal of The Matrix and solidifies the objective point-of-view of conflict in that film.

Problem and Solution. Goal and Consequence. If you do this, then that will happen. Strict linearity in narrative form.

Breaking down the Female Mental Sex Premise reveals a slightly skewed version of similar thematics:

::premise Address resistance towards DESTINY by balancing your overwhelming AWARE with your SELF-AWARE. ::

Instead of the Goal, we now focus on the Objective Story Issue for objective footing—in this case, Destiny, or the future path an individual will take.

Aware finds its way in their again, but instead of seeing it as a Problem, we view it subjectively as a point of imbalance—with Self-aware on the other side of the scale.

The Female Mental Sexed Premise acknowledges this alternate way of thinking by shifting the emphasis of the Objective Premise Element away from the Story Goal, as it is found in a Male Mental Sex approach, and down to the Objective Story Issue. In this way, the Premise continues to focus on the differential between self and external—but does so by referring to the more ephemeral and balance-laden appreciation of an Issue familiar to the Female Mental Sex mind.

With this approach, we capture the essence of both the Male and Holistic approach and provide Authors from all across the spectrum a means to better appreciate the narrative dynamics within their stories.

New Appreciations

As indicated, this latest development calls for the addition of two new Appreciations of narrative: the Subjective Premise Element and the Objective Premise Method. The combination of the two within a single context determines a wide range of narrative dynamics responsible for the structure of a story.

True to form, the Female Mental Sex mind requires more explanation and a third Appreciation: the Subjective Premise Balance. Appearing as Self-aware in the example of The Matrix above, this balancing Element identifies the leverage point needed to counteract and bring into alignment the Subjective Element.

While the specifics of the Overall Premise Element shift dependent upon the Mental Sex of the narrative, the Subjective Premise Element is always the Main Character’s Pivotal Element within the argument of the story.

In Dramatica theory, the Pivotal Elements were referred to as "Crucial Elements" as they were always deemed crucial to the narrative, signifying the connection between the objective and subjective views. This concept of the Subjective Premise Element defines specifically why it is so essential to the understanding of a story.

Receiving a Premise

All this to describe one possible narrative—the one where the self is brought into alignment resulting in a state of composure. But what about those moments when we balance the inequities within yet find ourselves in a low state of emotion or disconnected entirely?

If this new appreciation of Premise—a Female Mental Sexed appreciation—recognizes the understanding that no problem is ever indeed solved, then this first step will act as a temporary balance of concerns. By bringing ourselves into alignment with the Female Mental Sex experience, we open ourselves up to receiving the answers we seek and the outcome we desire for ourselves.

For now, the potential for greater understanding is balanced—until the next one comes along.