Over the weekend, I restored two articles into the Vault section of Narrative First: Why You Shouldn't Care How the Dramatica Theory of Story Works and The Most Important Event in a Story.
The first represents one of my initial attempts to communicate those new to the theory the importance of not losing sight of why you discovered Dramatica in the first place: to write a better story. Unravelling math equations that tie Character and Plot to Theme and Genre is a fantastic way to avoid finishing that story. Discovering the Plot Sequence Report and using T-K-A-D to Write a Perfectly Structured Scene With Dramatica helps the artful procrastinator distract themselves from the real struggle of writing.
The second helps Authors define where their story begins. The rather nebulous concept of "Inciting Incident" tends to claim this spot when in reality the genesis of a narrative begins with the creation of an inequity. Star Wars doesn't start when Luke gets the message, it starts when Darth illegally boards a diplomatic ship. Finding Nemo didn't start when Nemo lost his mom, it began when the kid left the safety of the reef.
Star Wars is about star wars—those start when an Empire oversteps its authority. Finding Nemo is about finding Nemo—that journey starts when the kid disappears.
Obviously I'm quite guilty of this approach. So guilty, I created an entire business around these avoidance techniques! ↩︎