Main Character Resolve, Main Character Growth, Main Character Approach, Main Character Problem-Solving Style, Story Driver, Story Limit, Story Outcome, and Story Judgment
Dramatica can seem a bit overwhelming when you first start out. One need only flip casually through the theory book dictionary before instantly coming to the conclusion, “This is insane!”
But greater comprehension comes with time. Eventually terms like Universe, Preconscious, and even Conceptualizing as a Story Concern begin to make sense in a way that can significantly benefit the process of writing. The difficulties with the language slowly fade as one realizes the reason for their foreign nature.
If the terms were simpler, or put into more “writer-friendlier” terms, they might be easier to comprehend, but they would distill down the power of Dramatica. The theory seeks to accurately map out the psychological processes of the human mind. The mind is not a simple machine. And why should it be? It provides us with a mechanism for determining meaning, a way to buttress context against context.
If the theory was painted in broader strokes, the Main Character would always be the Protagonist, want and need would replace Problem and Solution, and metamorphosis/transformation would replace Resolve and Growth. In other words, it would be just like every other story theory.
However, if you don’t mind dialing the accuracy back a little, the initial Eight Questions the theory poses become easier to deal with.
The above relate (in order) to: Main Character Resolve, Main Character Approach, Main Character Mental Sex, Story Outcome, Story Limit, Story Driver, Story Judgment, and Main Character Growth. When you first set out to map your story, the above eight questions may be a convenient and easy way to start.